As Sarah noted, Good Morning America reported last week that Jared Loughner had been influenced by the documentary Zeitgeist, a film that depicts Christianity, 9/11, and federal banking as conspiracies meant for social control. Since that report, the internet has been abuzz with attempts to locate Zeitgeist—and Loughner—on either the right or the left. Much of the analysis of Zeitgeist and Loughner has focused on its ideas about an international banking conspiracy that uses currency to foster debt slavery with the goal of instituting a one world government. But such analysis only accounts for part of what is going on in the film.
As Jesse Walker points out, in the case of Zeitgeist the labels “left” and “right” are pretty useless descriptors. Rather than placing the film, and by proxy Loughner, on the political spectrum, the religious elements of Zeitgeist provide another set of insights into the themes and theories that may have appealed to him. Although Walker calls it, for lack of a better label, “New Age paranoia,” the film defies easy categorization, but mixes anti-Christian polemic with metaphysical spirituality in its narrative of conspiracy, manipulation, and social control. And while it draws on different American strands of skeptical thought, from the founders through the present, and attempts to present a utopian vision of shared humanity that would overcome the dark conspiratorial world it depicts, ultimately that dark world is the film’s predominant theme.
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